How vampire lore emerged from shadowy medical mysteries

From Dracula to True Blood, vampires are a spooky story staple that just wont die. Elements of science and medicine are also woven throughout vampire mythology, which once served as an explanation for frightening phenomena that mystified people for the bulk of human history.

Though cultures across the globe have different names for mythical undead monsters that feast on the blood of the living, it took a collision of new empirical research tools and Eastern European folklore to create our modern concept of vampires, said Nick Groom, author of The Vampire: A New History.

READ MORE: How Dracula draws on our biggest health fears

Scientific and medical investigation in the 18th century helped crystallize what vampires are, and what they arent, added Groom, a professor of literature in English at the University of Macau. From there, the concept of the vampire took flight in the Western and eventually global zeitgeist. But it didnt happen overnight.

Scientific and medical investigation in the 18th century helped crystallize what vampires are, and what they arent.

The earliest reference we have to [a] vampire is from a text in Old Russian, written in 1047 A.D., said Stanley Stepanic, an assistant professor in the department of Slavic languages and literature at the University of Virginia.

The actual term vampire made its written debut in 1725, Groom said. Around that time, the ruling class of the Habsburg Empire controlled by the German royal family, whose capital was Vienna, Austria were hearing alarming stories coming out of borderlands that theyd recently annexed from the Ottoman Empire farther east.

In the 1720s, the military is sent in to investigate whats going on, Groom said. And in 1725, theres a report sent back [saying] that a body has been exhumed and staked and then cremated because it was terrorizing the local community.

An illustration from the penny dreadful Varney the Vampire or The Feast of Blood, circa 1800. Image via Hulton Archive/ Getty Images

Over the next decade, Groom noted, fascination with the concept of vampires spread across Europe. Interdisciplinary teams of military officials, medical officers, magistrates, theologians and philosophers carried out investigations into claims of vampiric activity, exercising Enlightenment-era reasoning.

READ MORE: The scary thing about evil laughs

By the mid-18th century, a report from the Austrian empresss personal physician determined the existence of vampires to be a medical impossibility, and disparaged the Slavic communities whose folklore had long considered them a real threat, Stepanic said.

The vampire was primarily a symbol of the things they didnt understand, he said, which to a large degree meant disease.

Here are potential medical explanations for some common vampire tropes, and how their meaning has evolved with changing times.

A handful of diseases have been connected to vampire folklore, though scholars note its impossible to be sure of just how influential they were in shaping the mythology. Stepanic noted that pellagra, a dietary deficiency that can result from corn-heavy diets, can cause extreme skin sensitivity to sunlight.

German actor Max Schreck as the vampire Count Orlok being destroyed by sunlight in the 1922 film Nosferatu, Eine Symphonie Des Grauens. Photo by Hulton Archive/ Getty Images

But pellagra wasnt a problem in Eastern Europe until there was trading infrastructure to bring corn over from the Americas. Being a relatively new condition to the region during the vampire epidemic, it would have been more likely to confirm preexisting beliefs rather than creating the lore in the first place, Stepanic said. He noted, though, that its possible that pellagra contributed to the classic vampire symptom of bad breath.

Those are the kind of things you cant really fully track because no one wrote down, In the year 1725, we decided vampires have bad breath, he said. [Each symptom] just gets in there at some point.

READ MORE: Louis Pasteurs risky move to save a boy from almost certain death

Scholars think people also used vampiric traits to explain rabies, with its dramatic and ultimately lethal symptoms, including insomnia and aversions to light and water. Stepanic noted there was a rabies outbreak in Europe during the 18th century, in the middle of this particular bout of vampire hysteria.

Those are the kind of things you cant really fully track because no one wrote down, In the year 1725, we decided vampires have bad breath.

Rabies symptoms are also associated with lycanthropy, or werewolf folklore, Jessica Wang, a professor in the departments of history and geography at the University of British Columbia, told the PBS NewsHour via email. She noted that rabies is particularly terrifying because victims experience loss of bodily control, leading to associations with animality a connection underscored by the fact that the virus is transmitted by animal bites.

The well-known connection between canine bites and rabies dating back to antiquity, European peasants fears of wolves in the early modern period, and the diseases attack on human self-control together produce suggestive overtones with werewolf mythology, Wang said.

Many natural processes that occur when dead bodies decompose could have been misperceived as grisly evidence of vampires, according to Stepanic.

Pressure that builds up during decomposition can push the blood of the corpse into its mouth, he said, creating the impression of a creature that drinks blood.

READ MORE: The science of fright and why we love to be scared

Other visual descriptions traditionally associated with vampires from a bloated appearance to shedding skin are also hallmarks of what happens to corpses after death, Stepanic said.

Destruction of the skeleton of a vampire, illustration from a French book, circa 1900. Image via API/ Gamma-Rapho via Getty Images

When people wanted to stop a perceived vampire from attacking the living, they dug up corpses and took gruesome measures like staking or beheading the body to put it to rest, at which point they wouldve observed signs of decomposition.

Debunking the real-life existence of vampires didnt kill their appeal. Groom said this specimen of ancient folklore was swiftly poached and transformed by Western culture in places like Germany and England.

In the 19th century, vampires appeared in poetry and literature, as well as in political and economic writings from figures like Karl Marx. Several popular tales contained thinly veiled class commentary through the lens of the vampire.

Vampires also appeared in political and economic writings, such as in this 1798 satirical image, where Englands taxation is depicted as a vampire sucking the blood from Ireland, watched by Justice. Image via Hulton Archive/ Getty Images

Dracula, Groom noted, was a real estate investor who was well-versed in shipping infrastructure. Stepanic pointed to Byronic heroes like Lord Ruthven, a high-society man whose manipulative, toxic nature made him both literally and figuratively a monster.

The vampire continues to stalk our imaginations because it offers a lens to examine the big, complex questions we face as humans.

Groom considers the vampire a kind of thought experiment that professionals across disciplines used to reflect on their moment in history and understand things like the spread of infection or capitalist exploitation in different ways, he said.

Over the course of centuries and retellings of the myth, vampires have been transformed from a symbol of death and disease to different archetypes that can be seen as elegant and seductive, Stepanic said. Vampires serve as a kind of mirror of human existence, he noted, one that helps us make sense of modern issues and anxieties.

READ MORE: The 5 classic horror films you need to watch this Halloween

These creatures have been used also in more recent decades to pose questions about what it means to be an outsider or to struggle with identity, Groom said, or even characterize toxic interpersonal relationships that drain one party of energy and emotion.

Bela Lugosi as Dracula, with Helen Chandler as his victim. Photo by George Rinhart/ Corbis via Getty Images

The vampire continues to stalk our imaginations because it offers a lens to examine the big, complex questions we face as humans.

There are so many different sorts of vampires now. And in fact, there always have been, since the 1720s, Groom said. Its a very diverse figure and for that reason, it presents not a single mirror, but many, many different reflections that we can use in our thinking.

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Vampire: The Masquerade – Bloodlines 2 Reveals Its Main Character – Phyre the Elder Kindred – IGN

  1. Vampire: The Masquerade - Bloodlines 2 Reveals Its Main Character - Phyre the Elder Kindred  IGN
  2. The main character in Vampire: Masquerade Bloodlines 2 ignores RPG traditions by being hundreds of years old  Gamesradar
  3. "Bleak, Bloody, and Immersive" Vampire: The Masquerade - Justice Review  Screen Rant

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The Best Horror Movies on Netflix – Rotten Tomatoes

TAGGED AS: Horror, Netflix

(Photo by Netflix. Thumbnail: Dark Sky/courtesy Everett Collection)

Looking for the best scary movies on Netflix? After a guided map of the most terrifying dingy dungeons, creaky manors, home-invaded houses, and deeply dark woodsyou can find on the streaming service? Thenyour search has led you to your glorious streaming doom: The Best Horror Movies on Netflix!

Not only does Netflix have a strong rotating library of scary movies, they sit along their horror original efforts, like Geralds Game, Fear Street, and Bird Box.

How did we whittle down our list of horror? We tookevery last scary movie on Netflix that had at least 20 reviews. What emerges is a portrait of which films unnerved and spooked out critics, have the potential to get audiences heart racing, and maybe even broke new ground and bones for the genre. So enough delaying the inevitable: Here arethe best Netflix horror movies to stream and scream right now!

#43

Adjusted Score: 70988%

Critics Consensus: If you only watch one art-world satire with horror overtones this year -- or most others -- it should probably be Velvet Buzzsaw.

#42

Adjusted Score: 65293%

Critics Consensus: Jaws 2 never approaches the lingering thrills of its classic predecessor, but it's reasonably entertaining for a sequel that has no reason to exist.

#41

Adjusted Score: 70447%

Critics Consensus: Unfriended subverts found-footage horror clichs to deliver a surprisingly scary entry in the teen slasher genre with a technological twist.

#40

Adjusted Score: 73023%

Critics Consensus: Bird Box never quite reaches its intriguing potential, but strong acting and an effectively chilly mood offer intermittently creepy compensation.

#39

Adjusted Score: 67833%

Critics Consensus: Beware this waking nightmare: Before I Wake isn't always lucid enough to escape its wobbly story, but crafts a neat horror landscape of grief.

#38

Adjusted Score: 70940%

Critics Consensus: We Summon the Darkness makes the most of its rather pedestrian plot with palpable affection for genre formula, an appealing cast, and a sharp sense of humor.

#37

Adjusted Score: 75769%

Critics Consensus: Led by a pair of compelling performances, The Perfection is a smart, gripping thriller that barbs its wild twists with cutting wit.

#36

Adjusted Score: 71625%

Critics Consensus: Enjoyable if not particularly original, The Babysitter makes the most of its familiar genre ingredients with energetic direction and a killer cast.

#35

Adjusted Score: 76886%

Critics Consensus: Stylish with a sadistic streak, Piercing pairs gripping lead performances with a smartly macabre story that delivers unpredictable thrills.

#34

Adjusted Score: 78570%

Critics Consensus: Director David Bruckner makes evocative use of the Scandinavian setting and a dedicated cast to deliver a handsome -- if familiar -- horror story.

#33

Adjusted Score: 81312%

Critics Consensus: Apostle resists easy scares in favor of a steady, slow-building descent into dread led by a commanding central performance from Dan Stevens.

#32

Adjusted Score: 78566%

Critics Consensus: Old Dolls can learn new tricks: This little murderer with a facelift is sillier and better than ever thanks to Don Mancini's Cult of Chucky.

#31

Adjusted Score: 84438%

Critics Consensus: While it may feel muddled at times, The Platform is an inventive and captivating dystopian thriller.

#30

Adjusted Score: 94298%

Critics Consensus: The Killing of a Sacred Deer continues director Yorgos Lanthimos' stubbornly idiosyncratic streak -- and demonstrates again that his is a talent not to be ignored.

#29

Adjusted Score: 91931%

Critics Consensus: The Conjuring 2 can't help but lose a bit of its predecessor's chilly sting through familiarity, but what remains is still a superior ghost story told with spine-tingling skill.

#28

Adjusted Score: 82264%

Critics Consensus: Smart, stylish, and well-acted, What Keeps You Alive proves it's still possible to spin an engrossing horror yarn without fundamentally altering established formula.

#27

Adjusted Score: 81224%

Critics Consensus: A yuletide nightmare full of familial angst and slithering scares, Await Further Instructions is a genre treat that pretty much any horror fan will want in their stocking.

#26

Adjusted Score: 89161%

Critics Consensus: Fear Street Part One: 1994 kicks off the trilogy in promising fashion, honoring the source material with plenty of retro slasher appeal.

#25

Adjusted Score: 83164%

Critics Consensus: Girl on the Third Floor proves a good old-fashioned haunted house story can still be entertaining -- and put a fresh spin on established genre formula.

#24

Adjusted Score: 96416%

Critics Consensus: Well-crafted and gleefully creepy, The Conjuring ratchets up dread through a series of effective old-school scares.

#23

Adjusted Score: 101964%

Critics Consensus: It Comes at Night makes lethally effective use of its bare-bones trappings while proving once again that what's left unseen can be just as horrifying as anything on the screen.

#22

Adjusted Score: 88511%

Critics Consensus: Well-acted, genuinely unsettling, and occasionally even funny, #alive proves the crowded zombie genre still has fresh stories to tell.

#21

Adjusted Score: 88924%

Critics Consensus: Uncommonly restrained for a movie about a flesh-eating menace, Ravenous offers a satisfyingly nuanced entry in the crowded zombie apocalypse subgenre.

#20

Adjusted Score: 90466%

Critics Consensus: Cargo takes a refreshingly character-driven approach to the zombie genre that's further distinguished by its Australian setting and Martin Freeman's terrific lead performance.

#19

Adjusted Score: 91953%

Critics Consensus: Stocked with solid performances, Freaks is a clever sci-fi/horror hybrid that suggests a bright future for co-writers/co-directors Zach Lipovsky and Adam Stein.

#18

Adjusted Score: 91843%

Critics Consensus: A smart and subversive twist on slasher horror, Fear Street Part II: 1978 shows that summer camp has never been scarier thanks to stellar performances from Sadie Sink, Emily Rudd, and Ryan Simpkins.

#17

Adjusted Score: 89817%

Critics Consensus: No consensus yet.

#16

Adjusted Score: 91685%

Critics Consensus: A smart, oddball take on found-footage horror, Creep is clever and well-acted enough to keep viewers on the edges of their seats.

#15

Adjusted Score: 93866%

Critics Consensus: The Invitation makes brilliant use of its tension-rich premise to deliver a uniquely effective -- and surprisingly clever -- slow-building thriller.

#14

Adjusted Score: 99449%

Critics Consensus: Wickedly funny and featuring plenty of gore, Zombieland is proof that the zombie subgenre is far from dead.

#13

Adjusted Score: 92365%

Critics Consensus: Fear Street Part Three: 1666 sends the slasher series back in time for a trilogy-concluding installment that caps things off on a screaming high note.

#12

Adjusted Score: 91331%

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The Best Horror Movies on Prime Video to Watch Right Now

Prime Video has a lot to offer horror fans, including recent releases like Smile, Halloween Ends, Nope and M3GAN. While it's going tostart showing ads next year, you can still enjoy your spooky content without ad interruptions for now.

Here are some top-notch horror flicks to satisfy your cravings. Dim the lights, grab the popcorn and let the nightmares begin.

That's right, Jordan Peele's third film is now streaming on Prime Video. The sci-fi horror movie stars Daniel Kaluuya and Keke Palmer as siblings who run a horse ranch in Southern California. They learn something large and mysterious is occupying the sky, leading to a quest to capture it on camera.

M3GAN the killer doll gained attention earlier this year for her unnatural dance moves, and now you can watch the rest of her story. In the movie, she's given to a young girl as a companion, but things don't work out as planned.

Want to revisit the 80s? Kiernan Shipka time-travels to the decade and takes on a killer in this new Prime Video slasher comedy. Randall Park and Julie Bowen also make appearances.

Knock at the Cabin (2023)

M. Night Shyamalan's Knock at the Cabin is based on the novel The Cabin at the End of the World by Paul G. Tremblay. A family is vacationing at a remote cabin when Dave Bautistaand a band of strangers show up with an impossible demand: the three cabin-dwellers must choose to save humanity or their family.

An unnatural grin can be utterly terrifying. This recent release takes full advantage of that. Dr. Rose Cotter (Sosie Bacon, actorand daughter of Kevin Bacon) goes on a horrific journey after she witnesses a traumatic incident involving a patient.

Jordan Peele and Nia DaCosta are at the helm of this gripping slasher. A sequel to the 1992 film of the same name, Candyman tackles issues such as gentrification and police brutality. Prepare for blood, swarming bees and people making the unfortunate decision to recite Candyman's name in front of a mirror.

A Quiet Place Part II (2020)

The sequel to John Krasinski's runaway hit, A Quiet Place Part II revisits the Abbott family as they're forced to leave their home and travel into the unknown. With a brand new baby in tow, the journey is perilous and tense, as younger members of the family have to step up and take the lead.

Nanny is an increasingly unnerving movie about a mother working in the US and separated from her son in Senegal, whom she hopes will soon join her. The powerful, chilling, 97-minute film -- led by a captivating Anna Diop -- takes viewers through her difficult, haunting wait.

If you like your horror films interspersed with a bit of contemporary dance (and who wouldn't!) then Suspiria is definitely the one for you. It tells the story of a supernatural dance academy run by a coven of witches and features themes like motherhood, guilt and abuse of power. An homage to the original 1977 film, Suspiria stars Dakota Johnson and Tilda Swinton.

Coherence is a huge favorite here at CNETand it's a terrifying watch. Not necessarily in the traditional, gory, horrific sense but more in terms of the concepts. It's a multiverse movie released before multiverses were cool and it's not what you expect. Coherence is the kind of movie you'll finish and immediately rewatch to try and rewire your brain. It's a fantastic achievement. A must watch.

If you're looking for a seriously impressive zombie film, look no further. Train To Busan is an action horror about a family stuck on a train amidst a horrifying zombie outbreak. Not only is it gripping and intense, it's also surprisingly human for a movie about zombies. Well worth a watch!

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Nina Dobrev Sudden Departure From The Vampire Diaries In Season 6 Left Fans Shocked Heres Why Elena Chose To Leave The Highly-Rated Show – Koimoi

Nina Dobrev Sudden Departure From The Vampire Diaries In Season 6 Left Fans Shocked Heres Why Elena Chose To Leave The Highly-Rated Show  Koimoi

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Terrifying new ‘vampire’ wasp discovered in the Amazon they sting, suck blood and eat their prey from the inside out – New York Post

Terrifying new 'vampire' wasp discovered in the Amazon they sting, suck blood and eat their prey from the inside out  New York Post

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Week in theater: Dracula flies into Denver, Sweeney Todd in Longmont and holiday productions are on the horizon – Boulder Daily Camera

Week in theater: Dracula flies into Denver, Sweeney Todd in Longmont and holiday productions are on the horizon  Boulder Daily Camera

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Zombie: The Story Behind The Cranberries Deathless Classic

Presaged by shimmering spin-off hits Dreams and Linger, The Cranberries landmark debut album, Everybody Else Is Doing It, So Why Cant We?, suggested its creators had taken up the baton handed down by jangly indie-pop classicists The Smiths and The Sundays. However, that preconception was swiftly turned on its head by Zombie, the furious anti-terrorism lament with which the rising Irish stars trailed their second album, 1994s No Need To Argue.

Zombies genesis is traceable to March 20, 1993, when two bombs, planted by the Irish Republican Army, exploded in the northern English town of Warrington. The blast from the second bomb injured dozens of people, but most cruelly claimed the lives of three-year-old Jonathan Ball and 12-year-old Tim Parry: a twin tragedy that shocked and appalled both the UK and Irish public.

I remember at the time there were a lot of bombs going off in England and The Troubles were pretty bad, singer Dolores O Riordansaid in a 2017 Classic Rock interview. I remember being on tour and in the UK at the time and just being really sad about it.

Deeply affected by the tragedy, ORiordan began working on a song that reflected upon the event. However, unlike many Cranberries tracks that sprang from group collaboration, the formative Zombie was composed alone by O Riordan during downtime from her bands punishing tour schedule.

I wrote it initially on an acoustic guitar, late at night, she told Classic Rock. I remember being in my flat, coming up with the chorus, which was catchy and anthemic. I took it into rehearsals and picked up the electric guitar and kicked in distortion on the chorus. Even though it was written on an acoustic, it became a bit of a rocker. Zombie was quite different to what wed done before. It was the most aggressive song wed written.

Recorded in Dublin with producer Stephen Street manning the console, Zombie featured pounding drums and churning guitars, representing a radical departure from The Cranberries signature sound. However, as Dolores O Riordan later revealed, the songs beefed-up alt.rock sound wasnt an attempt to jump on the grungebandwagon.

It came organically, because we were using our live instruments we were plugging in a lot and we started to mess around with feedback and distortion, she told Classic Rock. In a 2012 interview with Hollands Face Culture magazine, guitarist Noel Hogan explained that the heavier sound was the right thing for the song. If it was soft, it wouldnt have had that impact. It would stand out in the live set because of that.

Released as No Need To Argues lead single, on September 19, 1994, Zombie was promoted with a powerful video that also made a significant impact. Directed by Samuel Bayer (also responsible for Nirvanas Smells Like Teen Spirit clip), the video was filmed in Belfast during The Troubles, using real-life footage. Dolores ORiordan memorably appeared covered in gold make-up in front of a cross, alongside a group of boys covered in silver make-up. Though banned by the BBC at the time, the clip has since become one of rocks most-watched music videos on YouTube, clocking up one billion views in April 2020, making The Cranberries the first Irish band to have a song reach that landmark.

At the time, ORiordan received criticism for Zombies hard-hitting lyrics (Another head hangs lowly/A child is slowly taken), with some detractors suggesting she was taking sides in the Northern Irish conflict. However, as the singer pointedly observed in a 1994 interview with Vox magazine, the song was written entirely from a humanitarian point of view.

I dont care whether its Protestant or Catholic, I care about the fact that innocent people are being harmed, she said. Thats what provoked me to write the song It doesnt name terrorist groups or organizations. It doesnt take sides. Its a very human song.

Zombies anti-terrorism stance struck a chord when it was first released, becoming a UK Top 20 hit and winning the Best Song award at the 1995 MTV Europe Music Awards. Perhaps more significantly, The Cranberries were later invited to perform Zombie alongside Northern Irish political leaders John Hume and David Trimble at the ceremony for the 1998 Nobel Peace Prize.

The songs anti-violence message continues to endure. During the 90s, Dolores O Riordan dedicated it to citizens of Bosnia and Rwanda during live shows, while a recent BBC article reappraising the songs accomplishments observed that her message applies equally to recent attacks in Manchester, Paris and Egypt to name just three.

Artists from right across the musical spectrum have also paid tribute to Zombie. Eminem sampled it on his popular In Your Head single, while US metal outfit Bad Wolves recorded an emotive version of the track, which ORiordan had agreed to contribute to prior to her death in January 2018.

When you listen to Dolores recordings, there is a wall of emotional vulnerability, intensity, and honesty. That transcends all genres, Bad Wolves Tommy Vext told The Irish Times in 2018. For me, that is inspiring. That is something that every vocalist and artist should strive for, something honest and raw and real. She masterfully did that. People still love Zombie. It shows how masterful her craft was. It stands the test of time.

Listen to the best of The Cranberries on Apple Music and Spotify.

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Ancient ‘zombie’ viruses frozen in permafrost for 50,000 years are thawing due to climate change – and could h – Daily Mail

Ancient 'zombie' viruses frozen in permafrost for 50,000 years are thawing due to climate change - and could h  Daily Mail

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John 5 says he hasn’t spoken to Rob Zombie since leaving his band to join Motley Crue – Metal Edge

John 5 says he hasn't spoken to Rob Zombie since leaving his band to join Motley Crue  Metal Edge

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